Un monsieur qui a mangé du taureau (Romeo Bosetti, 1909)

The original Un monsieur qui a mangé du taureau belongs to an early French colonial/comic genre, wherein characters eat exotic meals/meats and transform into the animals on their plates.  Here, a dinner of bull meat makes a man into a raging beast.  The toreros of Spain are called and come to the rescue.  In a variation on this theme: a man eats kangaroo meat and must eat French snails to be restored.

In 1935, Eugene Deslaw, the abstract filmmaker (examples herehere, and here) added an introduction and a voiceover by comic sound artist and musician Bétov.  Deslaw recasts the original as a Bétov “retrospective” and reclaims the film for the genealogy of the avant-garde.  The film was restored by the inimitable Lobster Films.


Ciné-Zoologie.  Auto-ethnographie.  Colonialisme-commercial.  In 1924, Citroën sponsored an auto-chenille expedition across/through/over Africa.  The trip was lead by Georges-Marie Haardt and directed by Léon Poirier.  Two citroën-croisière films followed: Jaune (Asia) and Blanche (North America).  Remixes and celebratory returns here and here.  Neither comes close to the disjunction of the originals. Peter bloom reads the intersection between colonial fantasies and automobile industries here.