THE ORPHAN AVANT GARDE

Over the last couple of weeks, I have been looking more carefully at the expansive field of  recycled cinemas.  I am particularly interested in the the places where found and orphan films intersect with the contemporary avant garde, producing works that are torn between past and present tenses, between concepts and material.  At the recommendation of a colleague, I have been making my way through the work of Peter Tscherkassky, an Austrian filmmaker whose work combines cinematic scraps with dense layers of sound:

Dream Work (2001)

Tscherkassky’s work also includes several returns to early cinema.  His most recent film, Coming Attractions (2010) explores Tom Gunning’s canonical concept across eleven distinct visual “chapters”.  I am still trying to get my hands on it for a screening.  In the meantime, bits of Tscherkassky’s other works can be found online.  Mubi hosts a small, but very good collection (and charges a small fee per film).