Rupture of a Soap Bubble by a Projectile (Lucien Bull, 1904)
What is (film) theory? Why does it matter? Over the last year or so, I have had to draft responses to these questions (for students who would rather work on “real” films and colleagues who would rather do “real” history). Though I am someone who takes pleasure in reading theory, arguments for pleasure (i.e., I enjoy it. You should, too), or for the pleasures of departure (from “real” disciplinary concerns) are not all that convincing. A first sketch of another argument: Continue reading